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Shepard Fairey. The public image between propaganda, dissent and circulation

From OBEY to political images, Shepard Fairey uses posters, murals and screenprint to question power, consent and access.

Shepard Fairey · (Blue) Make Art Not War. Contemporary art, photography or visual culture featured by Acquistare Arte.
Shepard Fairey · (Blue) Make Art Not War© Shepard Fairey / OBEY GIANT

An image enters public space

Fairey makes images to circulate through stickers, posters, murals, prints, record covers and campaigns. OBEY tests how repetition can manufacture authority and familiarity.

The street is where an image competes with advertising, signage and propaganda for attention.

Print and circulation

The official archive shows limited screenprints, open offsets, colour variants and different formats. A shared image does not imply shared rarity.

“Printing still matters,” Fairey says in the OUT OF PRINT release: print retains tactile presence and circulation in a digital age.

Accessible and scarce are different

A signed open-edition offset offers access to an image without becoming a limited edition. Signature and scarcity answer different questions.

Check medium, dimensions, numbering, year, publisher and condition before comparing prices or choosing a work.

Sources & links

  1. OBEY GIANT · sito ufficiale ↗
  2. Shepard Fairey · curriculum ufficiale ↗
  3. OBEY GIANT · archivio stampe ↗
  4. Smithsonian · intervista a Shepard Fairey ↗
  5. OUT OF PRINT · comunicato della mostra ↗
First published by Acquistare Arte ↗

© Shepard Fairey / OBEY GIANT