Arguments, curators and uncomfortable questions. Reading art means taking a position.
16 entries
001From Beeple’s record to the speculative crash: what remains of NFTs, why a token is not a digital artwork, and what may come next for blockchain, AI and generative art.
Read the story ↗
002Career, art, money and persona: a critical guide to Hirst and Burn’s book-length interview.
Read the story ↗
003Why does contemporary art reach extreme prices? Bibliography, thesis and practical lessons from Don Thompson.
Read the story ↗
004The pamphlet challenging Hirst and conceptual art: arguments, limits and reasons to read it before buying.
Read the story ↗
005Critical profiles and market evidence for ten European women artists: works, museums, galleries, documented prices and cultural reasons to follow them.
Read the story ↗
006From High Line Plinth to Brick House: how a curator builds space, duration and audiences around a monumental work.
Read the story ↗
007More than 150 works across three floors: how Massimiliano Gioni and Margot Norton turned a survey into an argument about gender, desire and power.
Read the story ↗
008At Ca’ Corner della Regina, more than sixty works reconstructed Kounellis’s practice through material, architecture and exhibition memory.
Read the story ↗
009Triumphant Scale crossed fifty years of work and showed how dimension, material and postcolonial history can redraw a museum.
Read the story ↗
010Mastry framed thirty-five years of painting as a history of Black representation without separating visual pleasure from political responsibility.
Read the story ↗011A sentence became an artwork: creation did not erase torment for Bourgeois, but gave it form, rhythm and distance.
Read the story ↗
012Dubuffet’s idea of a “positive madness” meets Carlo Zinelli’s ordered and irreducible visual language.
Read the story ↗
013In his essay on Van Gogh, Artaud treats creation as a way out and indicts a society that reduces difference to illness.
Read the story ↗_edite.jpg)
014Aelita Andre, Andres Valencia and Mikail Akar: three rapid rises and documented entry points below €5,000, without turning youth into a guarantee of value.
Read the story ↗
015A focus on Francesco Arena and Exibart’s weekly Other Identity column: photography, video and performance as tools for reading identity, self-representation and public space.
Read the story ↗
016Criticism, curating and independent publishing: art a part of cult(ure) as a space for depth, relationships and memory.
Read the story ↗No entries match your search.
